Bill Becker works across various media, often in response to a particular site, with found material from that site.

Semi-industrial, near-abandoned, hinterland settings between times, places, and usages are a keen interest of his, especially in relation to their detritus or what remains of what was there before.

His practice revolves around „Unheimliche Archäologie“, the horror in the mundane, concepts of the public sphere, of control, resistance, intervention, and interfe(a)rence.

Key research questions include: what is ghostwriting humans in a time of accelerated interconnectivity? How can we make friends with our deepest fears and anxieties?